History of medieval Art

Academic Year 2026/2027 - Teacher: ADRIANO NAPOLI

Expected Learning Outcomes

The course aims to provide basic knowledge and understanding of the History of art in Italy and Europe from the early Christian age to the first half of the 15th century (DD1). Targeted insights will be dedicated to the city of Catania in the Middle Ages. Among the specific objectives, on the basis of the Dublin Descriptors [DD], the students will acquire: the ability to analyze, from an iconographic and stylistic point of view, the works of art in the program and to apply the acquired knowledge (DD2); the ability to place the works in the appropriate space-time frame, understanding the relationships with the political, religious and cultural context of reference with autonomy of judgment (DD3); the ability to critically describe and comment on works of art, using the specific lexicon of the discipline (DD4); the ability to plan tourist thematic itineraries with particular reference to the Sicilian reality (DD5).

Course Structure

Lectures and on-site visits.

Required Prerequisites

Knowledge of the general outlines of Italian and European medieval history.

Attendance of Lessons

Not compulsory.

Detailed Course Content

Early Christian, Byzantine and Early Medieval art

Romanesque art in Italy and Europe (architecture, sculpture, painting)

Gothic art in Italy and Europe (architecture, sculpture, painting)

Late Gothic

Early Renaissance (architecture, sculpture, painting)

Art in Italy in the mid-15th century

Catania Cathedral

Textbook Information

Handbook

G. Cricco and F.P. Di Teodoro, Itinerario nell’arte. Versione gialla, 4th ed., Zanichelli, Bologna 2016, vol. II, Dall’arte paleocristiana a Giotto [ISBN: 9788808437846], pp. 456-461, 483-550, 556-581, 589-596, 598-633, 636-671, 678-703, 708-843 and 848-859.

G. Cricco and F.P. Di Teodoro, Itinerario nell’arte. Versione gialla, 4th ed., Zanichelli, Bologna 2016, vol. III, Dal Gotico internazionale al Manierismo [ISBN: 9788808649751], pp. 2-169, 284-287 and 328-329.


Monographic readings: Catania Cathedral

T. Bella, Ansgerius quod ego… ecclesiae primus fundamina ieci. La cattedrale normanna di Catania: materiali per un riesame, in «Arte Cristiana», CVI, 2018, 909, pp. 404-421 (online at elearning.unict.it).

Course Planning

 SubjectsText References
1Early Christian and Byzantine artCricco - Di Teodoro 2016, II, pp. 456-461, 483-533, 556-581, 589-596
2Art of the Migration and Lombard AgesCricco - Di Teodoro 2016, II, pp. 534-550, 589-591
3Carolingian and Ottonian artCricco - Di Teodoro 2016, II, pp. 556-581, 592-595
4Romanesque architecture in Italy and EuropeCricco - Di Teodoro 2016, II, pp. 598-633
5Romanesque sculpture in Italy and EuropeCricco - Di Teodoro 2016, II, pp. 636-651
6Romanesque painting in Italy and EuropeCricco - Di Teodoro 2016, II, pp. 652-671
7Gothic art in EuropeCricco - Di Teodoro 2016, II, pp. 678-703, 848-850
8Gothic architecture in ItalyCricco - Di Teodoro 2016, II, pp. 708-721, 770-784
9Gothic sculpture in ItalyCricco - Di Teodoro 2016, II, pp. 722-740
10Gothic painting in Italy before GiottoCricco - Di Teodoro 2016, II, pp. 741-769, 834-838
11GiottoCricco - Di Teodoro 2016, II, pp. 784-805, 851-859
12Gothic painting in Italy after GiottoCricco - Di Teodoro 2016, II, pp. 806-832, 839-843
13Late GothicCricco - Di Teodoro 2016, III, pp. 2-31
14Early Renaissance architectureCricco - Di Teodoro 2016, III, pp. 32-64
15Early Renaissance sculptureCricco - Di Teodoro 2016, III, pp. 64-91, 112-117
16Early Renaissance paintingCricco - Di Teodoro 2016, III, pp. 92-111, 328-329
17Mid-15th centuryCricco - Di Teodoro 2016, III, pp. 118-169, 284-287
18Catania Cathedral in the Middle AgesBella 2018

Learning Assessment

Learning Assessment Procedures

Optional written or oral mid-term tests; oral final exam. The assessment will take into account the candidate’s mastery of the content and skills acquired, linguistic accuracy and lexical propriety, as well as his/her dialectic ability.

Examples of frequently asked questions and / or exercises

Analysis and historical contextualization of a monument, an artwork or the production of an artist.

Recognition of an artwork.


Galla Placidia Mausoleum and San Vitale in Ravenna

Hagia Sophia in Constantinople

Cividale del Friuli

The Palatine Chapel of Aachen

Illumination in the Ottonian Age

Saint Ambrose in Milan

Saint Mark in Venice

Modena Cathedral

Pisa Cathedral

Norman Sicily

Catania Cathedral

The cathedrals of Florence and Siena

Nicola and Giovanni Pisano

Arnolfo di Cambio

Cimabue and Duccio di Buoninsegna

Giotto

Simone Martini and Ambrogio Lorenzetti

Brunelleschi

Donatello

Masaccio

Leon Battista Alberti and Piero della Francesca